Tuesday, January 21, 2020

It Takes A Village To...Destroy One




Intro

When I was an adolescent and teenager, I was not allowed to listen to ANY rap and hip-hip albums in my house.  If something came on the radio, it was permitted as long as my father did not think that the content of the song was inappropriate for me and my younger sister’s ears and minds.  It was the music of our time and the majority of the other kids were listening to it.  So, like most kids of an era, I wanted to participate in teen-culture of my era.  It just happened to be that the majority of young people’s music of my generation was the tactless, disrespectful, and violent gangster rap music.  At 12 or 13 years of age (and before that), I knew that the music my friends I were listening to was not appropriate for us to be filling our minds with and they most likely knew it too.  However, the awareness of the inappropriateness was not enough to cause us to stop doing it, and I doubt that we were interested in deep reflection regarding the detrimental effects this music could have on us now and/or in the future.  My father would get extremely angry if he heard me listening to one of my rap albums in my room.  *My bedroom door suddenly opens aggressively*  (It’s my father).  “TURN THAT SH*T OFF!!,” he’d yell.  “You better not play that music ever again in this house!”  I wasn’t going to argue with him like I would periodically argue with my mother.  He was a very daunting man and the size of a bear.  Still, I felt like he was restricting me from being a kid.  I would ask myself, Why can’t I listen to this music like my friends do?  Why is he treating me like a baby and humiliating me?  I felt like he was trying to create me into a Steve Urkel – the quintessential symbol of weirdness.  I can remember experiencing premature embarrassment and anxiety about the idea of my peers finding out that I was not permitted to be listening to rap in my house.  I felt like my father only wanted me to listen to Marvin Gaye, Prince, Earth Wind and Fire and people of his younger days.  I did like that music because I was a very talented musician as a kid and had an eclectic taste of music.  I really didn’t mind not listening to rap music but as a child I was not as powerful in my leadership qualities as the adult Shawn; and to sit at the school lunch table in the 90’s-00’s with my friends without being in-the-know about the rap-scene was ridiculous to me at the time.  When my male peers where asking, “Yo, Shawn, you hear that new verse from Jadakiss?”, I didn’t want to be the person to respond, “Uh…naw…but did you hear that new Luther Vandross and Diana Ross?”  (I love Luther’s and Diana’s music by the way.)  The idea of listening to toxic rap music as a need became senseless to me at age 23 but at age 13 I thought I was supposed to identify with [gangster] rap music – even if it was toxic, unhealthy, made no good sense, and had no congruency with my family values – which it didn’t.   It was not until approximately 44 street fights later, being apprehended by the law, multiple school suspensions, receiving and sending death threats, two surgeries from injuring myself due to striking people and things, over 30 stitches from two separate incidents of striking other things, poor decision making in multiple life domains, irreversible bodily damage due to my anger and rage, that I realized I had to detach myself from these belief systems I took from ‘the dominant [music] culture’.  “The dominant culture can dismantle so many people,” (Bilyeu, 2020).  I kid you not, it was at age 23 that I finally understood my father’s relentlessness and sometimes hostile demands for me to not play gangster rap music in the house as a kid.  I am only speaking on my own experience as a kid and younger adult man, but had I listened to my fathers demands to not listen to this music and my mother’s encouragement for me to listen to my father, had I not been so addicted to peer approval – to avoid being isolated and ostracized, I may have not created or attracted the unfavorable experiences that I did as a younger person.  Theoretically, parents are heavily influential and impressionable in their kids lives up UNTIL their teenage years.  When the teenage years arrive, the child becomes more influenced by their peers.  And yes, I am telling you that though I naturally have an assertive personality and some anger issues that predate my engagement of gangster rap music, gangster rap presented me with a set of unhealthy belief systems and ideologies that helped aid in disturbing parts of my life, exacerbating old problems, and birthing new problems. Rapper Crooked-I is alleged to have said that he believes certain types of music turned him into a “monster” when he was a child.  It had an all-around negative impact in my life.  Many staunch rap and hip-hop fans argue the idea that rap and hip-hop does some good for the community as well. However:

“…when people argue that hip-hop as a whole is ‘good’ – by cherry picking the rare instances in which it does elevate the consciousness of our young people to a higher level of consciousness [and] to a higher level of social responsibility, I think that is the height of a disingenuous argument.  It is akin to saying that crack cocaine is good for you because it gives you energy.  Yes, it does give you energy but when you do a holistic analysis of the impact of crack cocaine, the costs of smoking crack cocaine significantly outweigh any marginal benefit from increased energy.  [With much of rap music], You see the promotion of misogyny, you see the promotion of violence, you see the promotion of…aggression,” (Byrd, 2015).

I take accountability for choosing to accept the devilish gifts that gangster rap offered, and I take accountability for, while a teenage and younger adult, not adhering to the family values, principles, and morale of the familial home I grew up in.  Still, no child anywhere in the world should be exposed [or habitually listening] to ANY form of gangster rap and/or any form of toxic music that has messages such as “Kill each other.  Smoke weed.  Go to jail.  Sex the women up,” (Umar Johnson, Ph. D., 2020).  “And this is what ‘we’ let our children listen to,” (Umar Johnson, Ph. D., 2020).  Toxic music, in some ways, is an integral factor regarding how many people become “…infected with the historic disease of cultural negligence,” (Ali, 1989).  Children should not be listening to inappropriate music.  PERIOD.  ESPECIALLY if there is no quality adult of genuine character around to process with them what they are hearing and listening to.  This is a setup for global disaster – and we’ve seen it decade after decade since the late 1980’s.  

Reflection & “#FACTS” 

            “Hip-hop is often described as a culture that started about 30 years ago; born of the need for urban young people to share their experiences and how they felt about them[selves],” (Williams, 2015).  “Rappers were the original social media influencers in the sense that they were able to…get people to do things,” (Boyce Watkins Ph. D., 2019).  “But a lot of people…believe that that music – the majority of it that we consider hip-hop, today, has run so far off the rail to the point where many believe that it is destructive and creating destructive behavior,” (Williams, 2015).  “Rappers…control your mind…They can get you to want to get high every day and get drunk everyday…That’s why everybody wants to control the rappers… [The mentality is] ‘Well [sh*t], if we can get negroes to want to go to jail, to volunteer themselves for prison…then their doing our jobs for us’,” (Boyce Watkins Ph. D., 2019).

We currently live in a time where multitudes of people either erroneously, frivolously, or disingenuously trendily scream the word FACTS when they want to ascribe something as truth (even though facts and truth are two different things).  Many of them have no idea what the facts actually are – or are not – because the word itself has become a fashion statement.  But let me provide you with some facts that should cause you some serious reflection in regards to how you supervise your child(ren’s) listening of music:


·         “…music does have the ability to aid and disrupt in the stabilization of the human psyche,” (Kwong, 2016). 

To me, this scientific finding is something my father and many others divinely knew.  I have been to countless barbershops that have predominantly employed millennials and late generation x babies; and the music they allowed to be played around babies, is unedited gangster rap music.  One particular occasion, I just got sick of it and said something to one of the barbers (in his late 40’s).  When I informed him of the negative effects that this music can have on children, he did not seem interested in ‘facts’.  He and others only seemed to be interested in playing the music they enjoyed – regardless of the inappropriateness for children.  Then he said something to me along the lines of Well you’re the only person who thinks that way.  With a heavy desire in my heart to punch him unconscious, I walked back to my seat because in some way I felt like he was right in some odd way.  I do not notice many (and sometimes ANY) other people putting a barrier between gangster rap music and the psyche of children.  I’m aware that there are millions of people out there who understand and agree with what I’m saying because I’ve had a lot of conversations with people agree with me in regards to this topic.  I just don’t see a lot of this ‘thinking’ translating to ‘action’ in a way that protects the psyche of children.  The psyche (mind, spirit and soul) is nothing we should be frivolously playing with.  DISRUPTING the stabilization of psyche of anyone and anyTHING, is dangerously tampering with the life and wellbeing of the self and others.  Or as Shahrazad Ali once stated: tampering with nature.  I do not understand why people don’t get that.  There should be a societal “…community where this is not allowed to happen to begin with,” (Wilson, AfricanThinkingChannel - (Amos N. Wilson | Effectuating a Revolutionary Psychotherapeutic Psychology), n.d.).

·         “... aggressive music can stimulate listeners on a physiological level, increasing respiratory rate, blood pressure, and heart rate, possibly leading to a more unstable psyche.” (Kwong, 2016).

 A good deal of what I discussed in the previous section also applies here.  One of the professional things I have prided myself on is that I do not force beliefs and ideas on people.  Not solely because it is unethical but because, to me, it is commensurate of rapist behaviors and qualities – forcing something on a individual/group that they may/do not want.  I really do not like being referred to as a therapist because if it spells ‘the rapist’ (SMH – good job to whoever gave us helpers this title *sarcastic clapping*).  I don’t force my work, my books, my anything on people.  I may be passionate in conversation but I am not going to try and submit you into something you don’t want or are not ready for.  The reality is that people are much easier to teach and collaborate with when they use their own autonomy and make their own decision to invest in holistic health and wellbeing.  With that said (and being a bit long winded), I am encouraging you to begin (or continue) to seriously research, reflect, and consider ALL of the potential impacting ways of how inappropriate music of any sort, can – will – and are play/playing a role in your family’s life (including yourself).  Music can be a power element of society and it is a form of education.  Many of the risky, aggressive, and unhealthy behaviors I saw and engaged in during my youth, I directly and indirectly learned from toxic hip hop and pop culture.  And since music is a form of education, we must understand that “…one of the major instruments for putting people out of their minds is education.  It is often the very basis for making people ignorant,” (Wilson, 1991).  What global and universal healthiness can come from educating the psyche into instability and ignorance? 


·         “Music, particularly among adolescents, is a very powerful motivator of behavior…I don’t think that we should underestimate the power of music because music touches the limbic system…the emotional system of our brain – which actually though slower than other parts can overwhelm ALL of the other parts,” (Michael Rich, MD, MPH, 2008).

 I should add that some of Kwong and Levitin’s separate literature acknowledges music’s ability to impact the brain; particularly the hippocampus.  “The hippocampus is the area of the brain that is responsible for emotion regulation, memory retrieval, and behavior inhibitions,” (Kwong, 2016).

 Furthermore, if you do not understand what Dr. Rich is saying here, please allow me to [sarcastically] translate for you.  Translation: Allowing a child to listen to certain types of music can potentially interfere with their brain activity and cause disastrous behaviors.  There is much about the brain that human beings do not know.  That has not stopped me from researching and building on what we do know about the brain.  As a depth oriented professional counselor, I have explored the symbolic significance of various parts of the brain and more specifically, placement of parts within the brain.  For example, broca’s area – which is a part of the brain that deals with speech, and another part of the brain within the temporal lobe, Wernicke’s area – a part of the brain that controls the understanding of speech, both appear to be located fairly close to parts of the limbic system.  I have previously reasoned that The Divine has placed these two parts where they are for emblematic reasons.  One of those reasons being that broca’s area and Wernicke’s area are both in between the frontal cortex (the part of the brain that deals with decision making and other things) and the occipital lobe (the part of the brain that governs our visual capacity); symbolizing that our speech (broc’as area) and what we talk about in addition to the words and messages that we allow into our minds (Wernicke’s area) can get in-between our healthy views and visions of ourselves and the decision-making and thought processes that need to occur in order to bring those very visions to fruition.  In the same play on science, philosophy, and symbolism that I used to get to this emblematic conclusion, I also believe that there is a symbolic connection between the close placement of broca’s area, Wernicke’s area, and the limbic system.  Dr. Rich validates this point when he says that the limbic system can OVERWHELM all other parts of the brain.  If this is true, I postulate that the first parts of the brain that the limbic system would affect are the ones closest to it.  Interestingly, Kwong’s citation from an experiment completed by Mireillie Besson, Julie Chobert, and Celine Marie in 2011, appear to scientifically back up my existential wonder and claim about the connection between the limbic system, broca’s area, and Wernicke’s area when they write, “Similar areas of the brain that are activated during comprehension of emotions and language in the temporal lobe are also activated when listening to music,” (Besson, and Chobert, and Marie 2011). 

·         “…an avid listener of aggressive lyrics may not necessarily be more inclined to harm another person, but may have more of a tendency to utilize aggressive language,” (Kwong, 2016)

 The first thing I think about when I read this is the foul mouth of adolescent and teenage girls that I have heard throughout the years of providing mentorship and mental health counseling.  Of course, boys curse and use vulgar language – which should not be tolerated as much as it is, but how can girls grow up to be healthy and quality women when they have mastered the use of inappropriate, tactless, and aggressive language by the age of 10?  One of the saddest things about this situation is that they do not simply learn it from the music, they learn it from their parents (their own birth mothers and grandmothers in particular – who as of now, where probably raised on the same negative content-based music as they were). 

Furthermore, the results and work of some researchers I have studied, have been very careful to not say that listening to aggressive music DOES CAUSE aggressive behaviors (though some of the research does appear to indicate that it does).  Still, to say that aggressive lyrics may cause a person to use more aggressive language is just as bad in my opinion because what this particular fact is not directly saying is that aggressive language between two or more people can definitely lead to aggressive actions between these people (i.e. fighting).  I also believe that it can cause INTRAPERSONAL aggression as well that becomes self-inflicted (i.e. self-harm).  We can infer that my point about fighting is an empirical truth because many of us have seen it often; two kids talking aggressively to one another in a way that leads to a fight.  Interestingly, Kwong does validate my idea in writing “…it is safe to suggest aggressive lyrics can make listeners more emotionally aggressive,” (Kwong, 2016), AND – in a study it was found that “violent lyrics may have played a key role in participants exhibiting some form of aggression,” (Kwong, 2016).  Notice how Kwong is very cautious to indict violent music as being an integral agent in a person’s aggressive behaviors but he does acknowledge the idea that the music may be complicit in a person’s aggressive behaviors.  He even goes on to say that, “it is possible that high arousal from music stimulation mixed with aggressive verbal lyrics can induce actual aggressive behaviors for avid listeners of the more ‘hardcore’ genres,” (Kwong, 2016).  Furthermore, in a separate study completed by John F. Mast and Francis T. McAndrew at Knox College, where the findings where published in 2011, Mast and McAndrew allowed “[35] male college students [to add] as much hot sauce as they wanted to a cup of water they believed another subject would have to drink after listening to heavy metal music with violent lyrics, heavy metal music without violent lyrics, or no music at all.  Males who were exposed to the music with violent lyrics added more hot sauce to the water than those in the other groups,” (Mast & McAndrew, 2011).  They go on to say that, “…the results clearly indicate that it was the lyrics and not other qualities of the music that was responsible for the aggressive behavior,” (Mast & McAndrew, 2011). 

·         “The unconscious [mind] is conditioned through pictures and music.  Whoever controls the pictures and controls the music, controls the children,” (Umar Johnson, Ph. D., 2020).

 Yes…my point exactly.  This statement from Dr. Umar Johnson encompasses the seriousness of the matter I am bringing up with this blog regarding the need to completely eliminate children being able to casually listen to toxic music.  I postulate that most, if not all sane people, would agree that children should not be viewing porn.  If you are amenable to this (which I pray you are), then what is sane about allowing children to look at the inappropriate and toxic images in some of pop-culture and listen to the unhealthy messages that it promotes?  I want to be direct and not cause you to feel like you have to read between the lines; allowing children to listen to aggressive and/or toxic heavy metal, rap, and/or any other genre of music shows a complicity in insanity.  With respect to cheerleading coaches, I am not in agreement with some of the songs selections where toddler, adolescent, and teenage girls perform dance routines to them.  The primary image I get is when I was at a little league football game in Ohio and I witnessed adolescent aged girls performing a dance routine to Trillville’s rap song Some Cut which consisted of the little girls dancing to the rhythmic ‘bed squeaking’ that was part of the instrumental.  I don’t believe that I’m insane for thinking that it is egregious for hundreds of boys, girls, women, and men in the stands watching little girls dance to sexualized sounds and rap lyrics.  I anticipate that you understand how many potentially horrific things could occur from sick people having visual access to children in that particular way.  It’s insane.    

·         “I wouldn't say music has special properties – but, it has the ability to distract or engage in ways that other stimuli don’t.” (Daniel Levitin, n.d.).

 Again, this statement is not necessarily playing both sides of the fence but it is somewhat careful to not be too definitive of any danger to the psyche while still being informative enough to acknowledge that music has the ability to at least ‘distract or engage’ the psyche in various things.  I have no problem with music.  I have a problem with many aspects of toxic music – especially when it has the ability to do the type of harm that it can.  What good reason is there to negatively affect the psyche – specifically of children?  The true danger of disturbing the psyche with horrific musical content should not be ignored or passively reflected upon and discussed.  All you have to do is listen to the music of a generation; and you know the…consciousness of that generation…[Negative music] indoctrinate[‘s] our children against their greatness [and] alienate[‘s] you from who you are,” (Umar Johnson, Ph. D., 2020). 

·         “Results demonstrated that listeners of the aggressive rap music scored significantly higher in the dimension of verbal aggression. These findings suggest that aggressive music can make listeners more aggressive emotionally compared to other types of music,” (Kwong, 2016).

 I do not believe that scientists of any industry should have the final say about anything because scientists are not God and we also know from previous occurrences in history that scientific studies can be unethically manipulated.  Overall, one should still have a healthy respect for science.  Here, we have scientific proof that in one particular study, aggressive rap music was found to be correlated with higher aggression in an actual domain. To me, the particular domain doesn’t even matter.  The ‘fact’ that aggressive rap music causes a person to be more aggressive in any way is enough for me to significantly limit my own encounters with it and definitely discourage children listening to it unedited, unsupervised, and/or all together at all.  I am very passionate about encouraging parents, mentors, and adults – collectively – to take these matters that I bring up here, serious, because in order for the intellectual state and psyche of children to evolve healthily and maximize it’s potential, parents and adults should not be carelessly exposing children to harmful material.  “…If certain parent-[child] interactions are related to enhanced intellectual functioning during and after childhood, then teaching parents more effective methods of interacting with their [children] might be effective in preventing cognitive deficits or in enhancing their children’s intellectual capacity,” (Wilson, 1991).

Shawn, you’re an Ol’ Head Though…

 I assume there are some people (younger and older) who will say that I am only writing about this topic and/or chastising rap and hip-hop because I am getting older and entering into middle adult hood.  My response to that is 1) that is/would be an erroneous thing to say because I have been addressing toxic pop-culture with this level of consciousness since my early-to-mid 20’s, 2) older people are not the only ones who see what I see and feel the way I do about this.  Rapper YK Osiris who is a relevant recording artist of this current hip-hop era posted a video of himself ranting about how the music industry will cause you to “destroy yourself,” (Osiris, 2019).  YK Osiris is currently 21 years of age.  Andres Tardio quoted rapper Saigon words in saying the following: 
“I play the kids channel on Sirius [Satellite Radio] when I’m driving with my children in the car. Even on most daytime radio stations the music is inappropriate for children. It’s a shame but it seems like popular Hip Hop music today is all about sex, drugs and alcohol, which is not suitable for young children. You would’nt show a kid a porno would you? Well its almost the same thing allowing them to listen to the poison that is populating the airwaves. …(*Note to reader: I was not aware of Saigon’s porno statement before I made my comment previously in the blog; but it goes to show you that some rappers align with my views of this topic as well.)…

As my child grows I will not shelter them from the world, but the same way I monitor what they watch on television I will monitor the music they listen to. I believe there are a select few Hip Hop artists they could enjoy but hopefully being I have daughters, they don’t ever have an interest in Hip Hop. Anything but Hip Hop, because the imagery of women in Hip Hop today is disgusting and embarrassing. I hope my daughters never get into Hip Hop. Please God. [Laughs],” (Saigon, 2012).

Tardio also quoted Rapper Crooked I in saying:
I’ve got two daughters and a son…I play radio versions. I don’t let my kids listen to pops going the [f**k] off. I don’t know. I just want [them] to have a different life than I had. I used to listen to N.W.A. and all that [sh*t] when I was like nine or 10 years old. It kind of made me a monster. [Laughing],” (Crooked I, 2012).

YK Osiris, Saigon, and Crooked I are all rappers from two different eras who have reached some level of prominence within the music industry and are ‘singing the same tune’ as me when it comes to their agreeability in the idea that aggressive and toxic music is not something that their children should be listening to.  Saigon and Crooked I in particularly are rappers who have created music with aggressive content, so them saying what they are quoted as saying, coming from the very culture that they don’t want to expose their own children to, is evidence that people within the music industry have the consciousness to not allow children to listen to inappropriate music and lyrics. 

Conclusion
In conclusion, “…historically, the way popular music has been sold is through airplay.  We can’t expect a system to be put together that will perfectly protect us.  We need to protect ourselves.  We need to be aware that these media change us and affect us.  And we need to actively understand what they’re doing, how they’re doing [it], and make choices of whether we want that to be done to us,” (Michael Rich, MD, MPH, 2008).  Remember, it takes a village to raise a child, but it also takes a village to destroy one

Thank you for reading.  “What more can I say,” (Jay-Z, 2003)? 



References




Ali, S. (1989). The Blackman's Guide to Understanding the Blackwoman. Cincinnati: Shahrazad Ali.

Bilyeu, T. (2020, January 14). Tom Bilyeu - He Explains in 51 Seconds Everything That's Holding You Back | Les Brown on Impact Theory. Retrieved from YouTube: https://www.youtube.com/watch?v=PeK9EeKNXDM

Boyce Watkins, P. D. (2019, October 19). Your Black World - Rapper The Game loses appeal, forced to pay $7 million. Retrieved from YouTube: https://www.youtube.com/watch?v=DuKke4UUH_s

Byrd, C. (2015, April 27). Armstrong Williams - Is Hip Hop Culture destroy Our Youth & Communities? Retrieved from YouTube: https://www.youtube.com/watch?v=UCaKb8El5S8

Daniel Levitin, P. (n.d.). American Psychological Association. Retrieved from Speaking of Psychology: Music and your health: https://www.apa.org/research/action/speaking-of-psychology/music-health

I, C. (2012, June 15). Hip Hop Dads: Rappers Explain Music That's Played For Their Children For Father's Day. Retrieved from HiphopDx: https://hiphopdx.com/interviews/id.1911/title.hip-hop-dads-rappers-explain-music-thats-played-for-their-children-for-fathers-day

Jay-Z (2003). What More Can I Say [Recorded by Jay-Z].

Kwong, M. (2016, November 05). The Impact of Music on Emotion: Comparing Rap and Meditative Yoga Music. Retrieved from INQUIRIES JOURNAL: http://www.inquiriesjournal.com/articles/1402/the-impact-of-music-on-emotion-comparing-rap-and-meditative-yoga-music

McAndrew, J. F. (2011). Retrieved from http://faculty.knox.edu/fmcandre/Mast-McAndrew-Aggression.pdf

Michael Rich, M. M. (2008, September 16). Boston Children's Hospital - How does music affect behavior? Retrieved from YouTube: https://www.youtube.com/watch?v=ecCsAeRjSMg

Mireillie Besson, J. C. (2011). Language and Music in the Musician Brain. Language and Music in the Musician Brain. Department of Psychology, Neuroscience and Behaviour, McMaster University.

Osiris, Y. (2019, October 24). Hustle Hearted - YK Osiris Says He Wants To Get Out The Music Industry & Explains Why. Retrieved from YouTube: https://www.youtube.com/watch?v=ueZ5cY8eNzg

Saigon. (2012, June 15). Hip Hop Dads: Rappers Explain Music That's Played For Their Children For Father's Day. Retrieved from HipHopDX: https://hiphopdx.com/interviews/id.1911/title.hip-hop-dads-rappers-explain-music-thats-played-for-their-children-for-fathers-day

Umar Johnson, P. (2020, January 01). The SOS Show Live. Retrieved from YouTube: https://www.youtube.com/watch?v=kXYKwwTzEAc

Williams, A. (2015, April 27). Armstrong Williams - Is Hip Hop Culture destroy Our Youth & Communities? Retrieved from YouTube: https://www.youtube.com/watch?v=UCaKb8El5S8

Wilson, A. (1991). Awakening the Natural Genius of Black Children. Brooklyn.

Wilson, A. (n.d.). AfricanThinkingChannel - (Amos N. Wilson | Effectuating a Revolutionary Psychotherapeutic Psychology). Retrieved from YouTube: https://www.youtube.com/watch?v=9S7Ji1UzSAw&feature=youtu.be


© January 02, 2020 PerspectVe LLC / Shawn Coleman, MS PC